
Sennheiser MKH 50 (3)
This mic is a standard on most narrative Film & TV. Great for interiors, jungles, cars, Blizzards, extreme heat, and just about anything else.

Sennheiser MKH 70 (2)
The larger, Shotgun version of the 50; this is the mic I'll use if we're doing the increasingly popular "Wide and tight" scenarios. Also, I like to match. I've brought these to the most extreme climates on earth, and they didn't flinch. Great for exteriors.

Schoeps CMC5/MK41
I love these Mics. The Schoeps is a classic high-quality cadillac sound, with a price to match. These do great in soundstages, car rigs, and most all interiors.

Sanken CS1e (2)
These are great on the end of the pole, hidden as a plant, and many other applications. I've been using these more and more and I'm very pleased with the results.

Sanken COS11D (14)
Not much to say about these, except that they're used and trusted widely across the sound community for their rigorous capabilities as a lavalier microphone.

Sanken CUB-01e (2)
This is a Boundary Layer Microphone commonly used as a plant mic, or a rig in a car.Very robust and cutting in tonality.

Line Audio CM3 (4)
An incredibly flat-response and low profile condenser. Great for plants, mic-matching, sound effects, and Quadraphonic ORTF ambience configurations.

P. Engh Omnigoose (2)
These are a nice option for car dialogue, or anything else that requires space and time efficiency. I've used these to get guys on horseback, in helicopters, etc.

Rode NT4
A stereo mic that I use to capture ambience and whatnot. great for FX.