Sennheiser MKH 50 (3)

This mic is a standard on most narrative Film & TV. Great for interiors, jungles, cars, Blizzards, extreme heat, and just about anything else.

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Sennheiser MKH 70 (2)

The larger, Shotgun version of the 50; this is the mic I'll use if we're doing the increasingly popular "Wide and tight" scenarios. Also, I like to match. I've brought these to the most extreme climates on earth, and they didn't flinch. Great for exteriors.

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Schoeps CMC5/MK41


I love these Mics. The Schoeps is a classic high-quality cadillac sound, with a price to match. These do great in soundstages, car rigs, and most all interiors.

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Sanken CS1e (2)

These are great on the end of the pole, hidden as a plant, and many other applications. I've been using these more and more and I'm very pleased with the results.

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Sanken COS11D (14)

Not much to say about these, except that they're used and trusted widely across the sound community for their rigorous capabilities as a lavalier microphone.

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Sanken CUB-01e (2)

This is a Boundary Layer Microphone commonly used as a plant mic, or a rig in a car.Very robust and cutting in tonality.

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Line Audio CM3 (4)

An incredibly flat-response and low profile condenser. Great for plants, mic-matching, sound effects, and Quadraphonic ORTF ambience configurations.

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P. Engh Omnigoose (2)

These are a nice option for car dialogue, or anything else that requires space and time efficiency. I've used these to get guys on horseback, in helicopters, etc.

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Rode NT4

A stereo mic that I use to capture ambience and whatnot. great for FX.

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